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Critic of the Month

Melbourne writer Brenda Niall's first career was as an academic in the English Department of Monash University, where she taught courses in American literature and Australian literature, biography and autobiography. Since 1995 she has been writing full time. She is now best known as the author of four award-winning biographies: Martin Boyd (1988); Georgiana (1994); The Boyds (2002); and Judy Cassab (2005).

Her other books include Seven Little Billabongs: The World of Ethel Turner and Mary Grant Bruce (1979); Australia Through the Looking-Glass: Children's Fiction 1830-1980 (1984); The Oxford Book of Australian Schooldays, co-edited with Ian Britain (1997); The Oxford Book of Australian Letters, co-edited with John Thompson (1999).

In 2004 she was awarded an AO (Order of Australia) for 'services to Australian literature as academic, biographer and literary critic'. In 2005 Monash University gave her an honorary D.Litt.

Brenda Niall and ABR

Brenda Niall has been reviewing for ABR for more than twenty years, from the editorships of Kerryn Goldsworthy and Helen Daniel to that of Peter Rose. The editors' unpredictable choices often bring her new authors and new ideas, as with Peter Yule's life of Ian Potter (ABR, August 2006), which made her think about money. Because her own books take several years to research and write, she finds it satisfying to see a review come so quickly into print.
What does Brenda Niall expect of a review?

'For a start, I want to know whether the book is worth my spending time on it. More than that: a review should be an illumination, not a mini-lecture. It respects the book under review, but has a voice of its own. I usually get novels or biographies for review; and I think that with a biography I ask a fellow-practitioner's questions about the complex choices of structure and point of view - matters that bring it close to the novel.'

Some ABR reviews by Brenda Niall

Rather more money: on Peter Yule's Ian Potter (August 2006)

The contingent life: on Shirley Hazzard's The Great Fire (February 2004)

Tyranny of the tape recorder: on Meg Stewart's Margaret Olley: Far From a Still Life (Dec-Jan 2006)

No safe havens: on Geraldine Brooks's March (April 2005)

 

Current reviews


Neal Blewett
We are all little Johnnies now: on The Longest Decade and The Howard Factor

'The provenance of The Howard Factor - a collection of essays by senior writers from The Australian newspaper - is not promising. The Australian is after all part of Mark Latham's 'Evil Empire', cheerleader rather than critic of the Howard government.' Read full text

Glynn Davis
When research is not enough:
on Our Underachieving Colleges

'Bok is worried by a pervasive conservatism in higher education, specifically the refusal by professors to confront evidence about poor teaching ... This is brave territory for Bok to explore.' Read full text.

Jonathan Pearlman
'A beautiful shoah'

''Israel is not merely a Jewish state, but a faultline on an enduring ideological debate that crosses the usual divide between left and right. Put crudely, the battle is between those who believe that power can be put to good use and those who believe that any imbalances of power - such as between the rulers and the ruled or strong states and weak - can (and must) be overcome.' Read full text

Gideon Haigh
The fissured mogul: on The History of the Times: The Murdoch Years

'For such a big deal, "the imprimatur of The Times" has not always been wisely bestowed. The newspaper cosied up to the Confederacy during the American Civil War; it was approving of Hitler in the 1930s, and of Stalin in the 1940s. But never in the paper’s history has that imprimatur traded at an underestimate.' Read full text

POETRY

Read Kate Middleton's Whistler's Boatman, as featured in this issue.

CHILDREN'S

Stephanie Owen-Reeder
Picture Book Survey:
The Art of Communication

'Like all books, picture books are a vehicle of communication, narrative, information and emotions. Because of the adaptability of the picture-book genre, which communicates using both verbal and visual language systems, it is sometimes possible for authors and illustrators to challenge the underlying precepts of the role of language in the communication process.' Read full text

 

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